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The Modernization and the National Movement Room houses Silhak (Practical Learning) literature (the germination of modern thought during the late Joseon Dynasty), as well as Western astronomy and geographical literature, world maps from China, and Korean maps, giving a glance at the changes that occurred in the prevailing Joseon world view. Other items on display shed light on the Korean people’s national movement that emerged in response to foreign aggression in the late 19th century.

Category Title

The Banquet Celebration of the Korea-Japan Trade Treaty

1883 A.D.

35.5 × 53.9cm

Joseon was forced by Japan in 1876 to open itself to the world, and both nations concluded a trade treaty in 1883, thus ushering in an era of trade. This picture depicts a banquet attended by officials of both nations on the day the treaty was signed. The Western-style table setting and disregard of perspective stand out.

Marks and Medals of Dokriphyeophoe and Hwanggukhyeophoe

Late 19th c. A.D.

(Left) 3.5×3.5cm
(Middle) 2.8×2.8cm
(Right) 2.1×2.1cm

Newsletter of Daehanhyeophoe

1908.4. A.D.

22.7 × 15.3cm

Josen society, having long adhered to isolation policies, was forced by Japan to conclude the Byeongjasuhojoyak (Korea-Japan Trade Treaty) in 1876, thus opening itself to the world. In the wake of this treaty Joseon shed its isolation policies, accepted the knowledge and innovations of advanced foreign civilizations, and began to modernize. Thus, the Joseon government sent emissaries and groups of observers to the Chinese Qing Dynasty and Japan to acquire advanced knowledge in the military, administrative, scientific, and technological fields. However, some of the reformists who traveled to foreign nations were influenced by the advanced civilizations to such a broad extent that they sought to negate the conventional feudal order and push reform, as well as disseminate enlightenment thinking and raise public awareness through the news media. However, reformist efforts to build a modern nation did not lead to a popular revolution, and ultimately failed to resist foreign aggression.

Calligraphy by An Jung-geun

1910 A.D.

38.6 × 96.7cm

This script attests to the patriotism of An Jung-geun, an independence activist fighting against Japan's aggression, depicting his love of his fatherland and his determination to gain independence. He cut his left finger and stamped a seal on the calligraphy with his blood, suggesting that the calligraphy was written after taking an oath in 1909. The calligraphic style features sharp and meticulous brush strokes, and exudes a strong spirit and vitality. Designated as Treasure No. 569 in August 1972.

Daehanmaeilsinbo (Newspaper)

1910.2.24. A.D.

49.8 × 35.2cm

Ruling on the Assassination of Ito Hirobumi

1910.2. A.D.

26.8 × 19.0cm

An Jung-geun's Japan Resistance Movement

This museum houses the handwriting legacy left by the independence activist An Jung-geun who, towards the end of Old Korea, fiercely resisted Japanese aggression and displayed ardent patriotism. In 1909, An Jung-geun pledged to save the nation and assassinate Ito Hirobumi, the prime mover of Japan's aggression, by cutting his finger, as did a group of twelve comrades. On October 26, 1909, An shot Ito Hirobumi to death at Harbin Station in Manchuria. He attempted to halt Japan's aggression policies and establish peace in the Orient. He insisted before the tribunal that he should be treated as a prisoner of war since°™as the lieutenant general of Korea's independence troops°™he had assassinated the enemy's leader. His theory for peace in the Orient depended on Japan giving up its policies of aggression in Korea and Manchuria, and that together the three East Asian nations should repel the Western powers and promote enlightenment, thus creating peace with the world.